![]() Make sure you check the “Render at Maximum Depth” box as well. You could scale down to Full HD here if you want to finish in 1080p. ![]() In the Basic Video Settings, you’ll want to match source for the resolution and frame rate. The next-gen compressed codec is extremely efficient for better image quality at similar or even smaller file sizes compared to H.264.Īs for the preset, you should generally avoid the YouTube preset and start out with the Match Source – High Bitrate option instead. For the Format, you’ll want to go with HEVC (H.265). He is working in 4K, but he will run through Full HD as well. YouTube actually publishes their recommended specs which are definitely worth checking out. ![]() Working in the latest version of Premiere Pro he pulls up the export window using Command + M on Mac or Control + M on Windows. It takes the original assets, and creates lower-quality versions that you work with, before returning to the original quality assets before output. ![]() Optimized Media is basically Resolve’s equivalent of offline proxies. Adobe happens to change up their software frequently and hardware advances might make it easier or better to use new options so let’s check it out. Fortunately, Resolve has other tricks for just this scenario. It’s been a while since we covered YouTube though and I think it’s time to cover it again.įilmmaker Roberto Blake is running through his recommended settings for exporting to YouTube using Premiere Pro in 2022. We recently did exporting for DaVinci Resolve 18 as well as exporting for Facebook or Instagram Reels in Premiere Pro. Transfer it to your mobile device and upload! That’s all you need to know to get an Instagram-ready video.Over the years we have covered a lot of the different “best” export settings for various platforms and applications. This will result in larger files though so be careful. This is plenty for a small video, but it makes sure you aren’t going to get killed by Instagrams compression if you upload a large file.Īnother change is to set rate control to constant bitrate.Ĭheck out your video after export and if you are seeing artifacts from compression you can always go back and increase the quality bitrate. Heading to quality Matt recommends you change it to restrict to 3,500 kb/s. Resolution should be the 1080 x 1920 that you set earlier and make sure the frame rate matches your timeline/project. For format you can go with Quicktime with H.264 codec. DaVinci Resolve lets you access these 3D LUTs for editing and color correction, as they travel with the Personal 10 Commercial Recommended 20 Extended. Start with the name and location as you normally would. Image Credit: Blackmagic Design Export Settingsįor exporting the clip you will need to check a few settings. Now it will automatically scale your clip when you add it to your timeline. If you have a lot of clips you need to bring in and don’t want to do each one manually you can right-click on the timeline, open the timeline settings, and then set mismatched resolution to “ Scale full frame with crop.” Do this on both Format and Output tabs. Then you can use the X setting for position to move it left or right and get it framed just right. You can go to the Inspector for the clip and use the zoom function to scale it to fill the frame. 2) upload in 10 bit uncompressed RGB quicktime (mov). What you want to do is make sure that the clip fills the frame. Ivan Kiyashko wrote: Thanks for your input, guys) A few things that worked nicely for another test video: 1) on BMPCC, film if you can at 400 ASA - you get a sharper image, no / less grain when pushing in post. If you bring that into your timeline and it wasn’t shot vertically you’ll have a 16:9 video squeezed into a 9:16 timeline with black bars on the top and bottom. Save the project and then import your footage. Also change the timeline frame rate to whatever frame rate you used. You’ll want to change the timeline resolution to 1080 x 1920. Project Setupīefore you do anything in your project you’ll want to dive into the Project Settings under File. For understanding it and learning how to create a project follow along. If you want to skip a lot of this you can just download his free Instagram Reels project template for Resolve. The immense popularity of TikTok and Instagram Reels along with the push of YouTube Shorts and other platforms means there is a lot of weight behind making quick, effective content for mobile devices.Īs a filmmaker, you probably still want to guarantee that the product you deliver is of the highest quality since it does reflect your overall work.įilmmaker Matt WhoisMatt Johnson is here to help with a nice, easy-to-follow tutorial for DaVinci Resolve 18 that will show you how to edit and export high-quality videos for Instagram Reels.
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